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Thread: The Old Master: Analyzing The Subtle Sophistication Of Joe Gans

  1. #1

    The Old Master: Analyzing The Subtle Sophistication Of Joe Gans


    Just as it behooves politicians to go back and revisit the actions of marvels like Abraham Lincoln, fighters of today would be well served to study the old masters like "The Old Master," Joe Gans. Some of his tricks of the trade could be made use of in the rings of today.
    Known as the first black American prizefighter to ever capture a world championship, Joe Gans would soon become better known for his exquisite boxing skill. A pioneer in the art of scientific boxing -hitting without being hit in return- Gans could make an opponent fall just short with a subtle turn of the head, before countering with ultra-precision. While facing formidable opposition like Sam Langford, Battling Nelson, Jack Blackburn, Young Griffo, Dave Holly, ďBarbadosĒ Joe Walcott, Frank Erne and Terry McGovern, Gans became distinguished for his ability to determine his opponentís strengths and weaknesses, and then play out the fight to his own strengths and his opponentís weaknesses. Gans was the ultimate student of the game. Borrowing from the likes of James J. Corbett and Bob Fitzsimmons, Gans would absorb what was useful and integrate his findings into his own style. He even devised some new techniques and strategies of his own. Gans may or may not have invented the jab, but the way Gans used it, employing it both as a defensive weapon to intercept the attack of his opponents and as an offensive weapon to create openings and set up his right hand and his uppercut --another punch Gans has been credited with inventing--was considered revolutionary at the time.
    A thinking fighter if ever there was one, Gans, alongside the likes of Bob Fitzsimmons, Benny Leonard and Archie Moore, is one of the smartest fighters to have ever lived. One example of his vast ring IQ came in 1902, during the rematch with Frank Erne. Having previously lost to Erne, Gans trained for the rematch with the intention of implementing something he had noted in their first fight Ėjust as Erne would initiate his left, he would check his opponentís reaction. If his opponent brought their rear hand down to parry the left jab, heíd turn it over into a left hook. On the other hand, if the opponent would cover the right side of their head in anticipation of a left hook, heíd shoot a jab straight up the middle. Fueled with this knowledge, Gans waited for Erne to telegraph his left hand. Instead of trying to block the attack, Gans came inside it with a right hand and ended matters with a little over one minute remaining in the very first round.
    Although there isnít a great deal of film available on him, the footage we do have of Gans is extensive enough to a garner a real appreciation of the manís craft and acumen. Here, using the Joe Gans-Kid Herman fight from 1907, Iíd like to highlight some of the time tested techniques that Gans used. Although the footage is lacking in quality and is a little grainy at times, I consider it a real treasure chest of technical gems!
    Hereís a little reminder before viewing.
    While watching the fight, itís important to realize that boxing has changed an awful lot between then and now. For instance, fights went on a lot longer and the gloves were a lot smaller. As a result, different circumstances called for different styles and strategies and there was more emphasis placed on in-fighting which included extensive holding and wrestling for position. Also, because those gloves were a lot smaller, it was far more difficult for a fighter to simply apply the ear muffs and shell up when defending. Far more thought had to be placed on hand evasions such as glove blocking, hence, boxing had a different look and feel to it back then.
    The Fight
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    As the footage starts at the beginning of the round two, notice the stance and posture of Joe Gans. Although many have claimed that the famous Jack Blackburn/Joe Louisí stance was based around Gansí, there are some notable differences which Iíve highlighted below.


    Here, Louisí weight is slightly over on his front leg. With his body turned to the side, his knees are bent and his head is slightly off center and tilted to his right. Louisí lead hand is carried quite low, but his rear hand is a little higher and in a position to parry. Overall, Louisí stance was really more of a crouch. This stance allowed Joe to shuffle forward behind his jab where he could catch his opponentís jab and counter.


    By contrast, Gansí (on the right) more upright stance was more like that of Jack Johnson or Benny Leonard. This was the more traditional on-guard stance that was also used in fencing. Instead of the weight being over on the front leg, the weight is over on the back leg (notice thereís almost a direct line between Gansí back leg and head). This was more of an elusive stance which gave a fighter (a) a lot more freedom to move around the ring with (especially when evading quickly in a straight line) while still allowing them to maintain excellent balance, and (b) a greater distance between an opponentís lead hand and their head. Gansí hands seem to be carried a little low, but remember, fights could surpass forty rounds or more back in those days. Keeping the hands held high for such a prolonged period of time would have been very tiresome. It was all about preserving energy back then -another reason you rarely saw fighters wasting energy by throwing combinations during this period.
    Letís get back to the fightÖ
    Within the opening moments, Gans ties Herman up. Immediately afterwards, we see an example of Gansí elusiveness. At around 0:40 mark, we see Gans foil two attempted lefts by Herman. On both occasions, Gans diffuses the blows by moving away on his back foot while placing his left glove just below Hermanís left shoulder, killing the blow before it picks up a head of steam. At the 0:43 mark, we see Gansí mastery in full flow. First, Gans throws a non-committal jab to set up a short right hand. Within as instant, Gans pulls back and moves off at an angle, where he catches Herman as heís turning with a right uppercut and left hand. Throughout the whole sequence, Gansí footwork is brilliant Ėalways positioning himself in a way so that his centerline is away from Hermanís but Hermanís is still within punching range. This is a prime example of how to take an angle on an opponent.
    For the next few moments, we begin to see a pattern emerge. Gans is on his back foot looking to counter, while Herman is coming forward looking to land his left hook. At 1:45, we see more of Gansí defensive genius. As Herman is pressing the attack, Gans feints with a right uppercut, before landing a jab and rolling under Hermanís left hook. More genius soon follows. After taking up the center of the ring, Gans takes a small step backwards to draw Herman in. As Herman comes forward, Gans feints a jab and connects with a jolting right uppercut.


    Here, Gans feints a jab. As Herman reacts, Gans throws a non-committal jab (feint) followed with a right uppercut as Herman is stepping inside. This is brilliant strategy Ėshoulder feint, non-committal jab (to open Herman up) then a rear uppercut.
    Gans was masterful in tying up his opponent. If you look at the 2:07 mark, youíll see Gans block yet another attempted left by Herman before tying him up on the inside. Rather than describe every single clinch that takes place in the fight (as I said earlier, clinching occurred more often than not during this time and it happens a lot in this fight) Iíll just go over what can be considered a common occurrence during most of the clinches that take place. Notice the following;
    • Gans nearly always secures bicep control over Herman. By clamping down on Hermanís biceps with open gloves, Gans is able to manipulate and maneuver Herman around while also preventing him from throwing anything noteworthy on the inside. Jack Johnson was another great exponent of this technique and not too long ago, Floyd Mayweather had great success over Miguel Cotto on the inside using bicep control also.
    • Whenever Gans secures over-hooks, notice that Gansí head is nearly always placed on Hermanís shoulders. Itís impossible for him to be hit with anything while his head is in this position.
    • On the over-under tie up, Gans nearly always has his free hand clamped down on Hermanís left arm. Again, Gans must have been very conscious of Hermanís left hand threat.

    Itís clear that Gans was just as skilled on boxing on the inside as he was boxing at range. Gans wasnít the biggest lightweight youíll ever see, but the way he positioned himself in close, using smart clinching tactics as well as leverage to unbalance, allowed him to control Herman in most of the clinches.
    Moving on to the 2:33 mark, we see Gans back on the offensive, while also showing superior defense. With both men posturing from the outside, Gans steps in and lands a right uppercut. As Herman recovers, he leads with a left/right which Gans evades by rolling with each blow before forcing another clinch, where he lands a flush right hand immediately after breaking away.


    Here, Gans lands a right uppercut. As Herman regroups, he comes in with a left/right. Notice in the 5th photo how Gansí left hand is traveling across his body to meet Hermanís left arm. As the hook arrives, Gans meets it with the inside of his left glove, almost forming a vice between the inside of his left glove and right shoulder. From here, Gans intercepts the right, placing his left glove near Hermanís right shoulder, and rolls with the punch.
    At 3:12, Gansí superb counter-punching skills are on display (it wonít be the last time we see them). Again, Herman leads with a left hook followed by a right cross. Gans anticipates both the left and right, rolling with each before countering with a straight right hand to the body.


    Here, Gans blocks a wide left hook using his right forearm. As Herman comes back with a right hook, Gans picks that shot of using his left forearm. Gans punctuated the sequence with a straight right hand to the body underneath Hermanís left elbow. Notice the whole time Gans is blocking that heís rolling with the blows. If one of Hermanís shots managed to sneak past Gansí forearms, the fact that Gans is rolling and turning with the punches by moving his head, would likely result in the shots missing the mark anyway.
    As both fighters come out for the beginning of the third round, the pattern is still very much the same. Gans continues to probe and assess, while Herman continues to load up with lefts and rights. At around the 4:19 mark, as Gans begins to apply a little more in the way of pressure, Herman attempts to land a wide left hook to the body, where Gans executes a perfectly timed elbow spike.


    As Herman comes inside with a wide left hook aimed towards Gansí midsection, Gans intercepts, coming down on top of the blow with the point of his right elbow. Notice as Gansí blocks the left, he throws a simultaneous jab. This attack is known as a stop-hit. This is the act of blocking an attack with an attack. Itís a technique that is rarely used anymore.
    At 4:45, we see an example of Gansí brilliant foot speed and reactionary skills. As Herman leads with a wide right cross, Gans takes two (yes, thereís two, he just moves so quick you donít see them) steps back. Notice as Gans is stepping back, how his feet never cross one another. Also, Gansí back foot moves away first, followed by his front foot. This gives good balance and it is how all fighters should move around the ring Ėthe foot nearest the direction youíre moving in should always move first.
    As Gans begins walking Herman down, we see him perform yet another stop-hit at the 5:29 mark.


    As Herman steps in to throw what looks like a left jab, Gans intercepts the blow with a perfectly timed stop-hit. As Herman steps in, Gans plants his left hand on top of Hermanís left shoulder, thus diffusing the blow before it picks up a head of steam. Also notice Gansí right glove during this sequence. Should Hermanís jab get beyond Gansí extended left, Gansí right glove would likely block the shot anyway.
    At 5:40, we see Gans inching forward. As he shortens up the distance, notice the subtle feints heís throwing. Because heís reacting to the feints by backing up and flinching, Herman decides to come forward and ends up walking onto a Gans uppercut. These subtle feints, that had Herman overreacting every time he threw one, were easily Gansí most effective weapons during the fight. Moving on, after flooring Herman with a right hand (although it didnít seem to be counted) Gans continued to apply pressure. After evading a left and a right using stellar footwork, at around 6:30, we see Gans execute yet another beautifully timed stop-hit.


    As Herman throws a left hook, Gans blunts the blow, trapping it between his extended left arm (pushed in towards Hermanís left armpit) and open right glove (placed on the back of Hermanís left shoulder).
    Moving on to the eighth and final round, at 6:53 Gans is in full pursuit of his man. Closing the distance behind stop-hit after stop-hit, Herman is forced onto his back foot and is struggling to get off. By now, Gans has him timed to the point where he knows when every single one of Hermanís attacks is coming. Even though Gans is now walking his man down, notice that heís not doing it behind relentless pressure, or by throwing ridiculous amounts of punches. Instead, Gans is intelligently cutting the ring off using small shuffling steps, along with throwing subtle feints and well-timed stop-hits. Imagine what Herman must have be thinking? Here he is being systematically broken down and Gans isnít really throwing anything. Itís severe mental pressure that Gans has put Herman under here. As Gans continues to maneuver Herman around the ring using stop-hits, the action falls just out of range of the camera. Although itís difficult to see, at 7:52 Herman throws a right cross which Gans evades by rolling with the blow. After evading the cross, Gans waits for a moment, feints and then throws a right uppercut before moving off to a different angle.


    Here, Gans feints before throwing a right uppercut. After landing, Gans adjusts his feet and moves to the side of Herman. Again, Gans shows his understanding of working angles by moving his centerline away from Herman.
    Soon after, we see Gans at his most aggressive. As Herman is still in the corner, Gans goes to work. After rolling with a left hook and a right cross, Gans clamps down on the back of Hermanís neck and lands a right uppercut, before turning his man behind a short right hook. As Herman begins to back-pedal away, Gans cuts the ring off, blocking Hermanís exit and forces him towards the far corner of the ring. As Herman moves toward the ropes, Gans follows and knocks him out with a counter right hand.
    Itís important to notice during this final sequence how patient Gans was. As Hermanís back almost touched the ropes, notice how Gans shortened up his steps as he was advancing, giving Herman a false sense of distance. Gans was fully aware that Herman was likely to come back with something the moment his back touched the ropes. Also, notice how Gansí left hand was extremely low, probably lower that it had been at any point during the fight. This is what is called an attack by drawing Ėoffering up a target so that as your opponent attacks your perceived vulnerable spot, they themselves leave an opening for a counter of your own. In this case, Gans gave Herman the impression that his left side was vulnerable. By taking the bait, Herman over committed with his right cross. Knowing what was likely to present itself, Gans rolled with the punch and countered in a flash with a beautifully timed right hand.


    As Gans approaches with his left arm low, Herman attempts to take advantage with a wide right cross. Just as the blow is about to reach half way, Gans intercepts, slowing it down by jamming his left hand into Hermanís right shoulder, before rolling with the punch and coming back with a short right hand. Take a look at Hermanís positioning in photo 3. This was no accident. The knockout is one of the finest examples of counter-punching youíre ever likely to see inside a boxing ring.
    Iím pretty certain that some of these old fighters from yesteryear arenít for everyone. Whether thatís because of the way they fought back then, or because of the quality of the actual footage, it doesnít really matter.
    What matters for me though, when watching the subtle skills of Joe Gans in the Kid Herman fight, is realizing that in terms of the way he could set a man up -feinting him out of position or by offering up targets to draw him in and counter- Gans was clearly light years ahead of his time.
    Joe Gans is by far and away one of the most intelligent, cerebral fighters that Iíve ever seen on film. This footage is more than 100 years old. Yet what he did here seems innovative even today.

  2. #2
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    Re: The Old Master: Analyzing The Subtle Sophistication Of Joe Gans

    YUP! Nice work, like always. I heard from EYEWITNESSes -- not those jive-time earwitnesses -- that Joe Gans was a straight-up real righteous G fighter. Way to GO! Gs have always had it going on and on and ON! And ya' kno' dat, babeee! Holla!

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    Re: The Old Master: Analyzing The Subtle Sophistication Of Joe Gans

    Love this stuff - thanks.

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    Re: The Old Master: Analyzing The Subtle Sophistication Of Joe Gans

    Legendary Monster!

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    Re: The Old Master: Analyzing The Subtle Sophistication Of Joe Gans

    Great article!! Love these types of fighters, those who rely on technique rather than brute athleticism. You get the idea that guys like Amir Khan, Andre Berto and Sugar Shane are athletes who'll do well in any sport they choose, just because of their unique athletic gifts. However, Joe Gans is not an athlete, just a 100% pure boxer. Aside from B-hop, who do you think has this level of guile and technique among the present crop? Maybe Pirog or Jerry Penalosa?

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